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Foschungsliteratur

08.05.2014

Littler, Margaret (2002): Diasporic Identity in Emine Sevgi Özdamar's Mutterzunge. In: Taberner, Stuart (Hg.): Recasting German Identity: Culture, Politics, and Literature in the Berlin Republic. Woodbridge, England: Camden House (Studies in German Literature, Linguistics, and Culture (SGLLC)), S. 219–234.

Littler, Margaret (2007): Anatolian Childhoods: Becoming Woman in Özdamar's Das Leben ist eine Karawanserei and Zaimoğlu's Leyla. In: Joshua, Eleoma (Hg.): Cultural Exchange in German Literature. Rochester, MI: Camden House (Edinburgh German Yearbook (Edinburgh German Yearbook): 1), S. 176–190.

Littler, Margaret (2007): Cultural Memory and Identity Formation in the Berlin Republic. In: Stuart Taberner (Hg.): Contemporary German Fiction: Writing in the Berlin Republic. Cambridge, England: Cambridge UP (Cambridge Studies in German (CSG)), S. 177–195.

Littler, Margaret (2009): Intimacies Both Sacred and Profane: Islam in the Work of Emine Sevgi Özdamar, Zafer Şenocak, and Feridun Zaimoğlu. In: Hodkinson, James (Hg.): Encounters with Islam in German Literature and Culture. Rochester, NY: Camden House (Studies in German Literature, Linguistics, and Culture (SGLLC)), S. 221–235.

Littler, Margaret (2009): Profane und religiöse Intensitäten: Die islamische Kultur im Werk von Emine Sevgi Özdamar und Feridun Zaimoğlu. In: Helmut Schmitz (Hg.): Von der nationalen zur internationalen Literatur: Transkulturelle deutschsprachige Literatur und Kultur im Zeitalter globaler Migration. Amsterdam, Netherlands: Rodopi (Amsterdamer Beiträge zur Neueren Germanistik (ABnG): 69), S. 143–154.

Littler, Margaret (2010): Özdamar, Das Leben ist eine Karawanserei. In: Peter Hutchinson und Michael Minden (Hg.): Landmarks in the German Novel (2). Oxford, England: Peter Lang (Britische und Irische Studien zur deutschen Sprache und Literatur/British and Irish Studies in German Language and Literature: 47), S. 93–110.

Littler, M. (2012): The Fall of the Wall as Nonevent in Works by Emine Sevgi Ozdamar and Zafer Senocak. In: New German Critique 39 (2 116), S. 47–62.

Lornsen, Karin (2009): The City as Stage of Transgression: Performance, Picaresque Reminiscences, and Linguistic Incongruity in Emine S. Özdamar's The Bridge of the Golden Horn. In: Pailer, Gaby (Hg.): Gender and Laughter: Comic Affirmation and Subversion in Traditional and Modern Media. Amsterdam, Netherlands: Rodopi (Amsterdamer Beiträge zur Neueren Germanistik (ABnG): 70), S. 201–217.

 


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